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The Dardenne brothers are respected auteurs for their social realist dramas but it feels like they weren’t the right ones to tackle this story of young idealism turned into fundamentalism. Continue reading
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The perfect film to see at a midnight screening, Quentin Dupieux’s Deerskin is a wry and disturbing romp that never takes itself seriously. Continue reading
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Lyn Ramsey’s (We Need to Talk About Kevin, Morvern Callar) latest grips you in its sweaty fist and doesn’t let up until the final frame. It’s enigmatic, intense and artful, filling each frame with the lumbering presence of Joaquin Phoenix. Continue reading
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Based on the four days of terrorist attacks on Mumbai ten years ago, this Australian / Indian dramatisation keeps you on the edge of your seat throughout. Continue reading
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Although set in a single room, Gustav Möller’s first feature cranks up the tension with a layered and intense story. Continue reading
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Jacques Audriard (Personal Shopper) has created a serviceable yet unremarkable Western that seems to delight in perpetuating well-worn tropes. Continue reading
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Bill Nighy. Scrabble. Frank Cottrell Boyce. A winning combination as far as I’m concerned and Sometimes Always Never has the stylistically quirkiness of a Wes Anderson film but with depth and a gentle warmth. Continue reading
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This memorable feature from Nadine Labaki seems to provoke love or hate. Cast with predominantly non-actors, it is for the most part an extraordinary film that shows the awful reality of the life of Syrian children well below the poverty line in Lebanon. Continue reading
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This feelgood, cookie cutter movie barely scratches the surface of its topic; racism in the deep south of the US in the 60s. A good example of a white saviour movie, it centres its story firmly and unapologetically on the experiences of a good-hearted, racist white guy. Continue reading
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It’s possible I am a lone reed in not loving the third remake of this quintessential film about the tragedies inherent in fame. A lone reed. Or a heartless wretch. I remained unmoved as Bradley Cooper heroically directs himself into every frame, leaving not enough room for the absorbingly wonderful Lady Gaga. Continue reading
