Manchester by the Sea (2016)

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It takes a while for this slow and quiet study of a man to hit its stride and to show its colours. We meet Lee Chandler (Casey Affleck) as he goes about his job as a Boston janitor, at the beck and call of people in four apartment buildings. Lee seems shy and awkward but a few scenes show us it is perhaps a simmering anger that keeps him quiet. Interspersed with the monotony of his life, we see scenes of him on a boat with his brother and nephew and it is only gradually that we become aware these are flashbacks. A phone call brings him home to Manchester. His brother has died, leaving him the responsibility of his 16-year-old nephew Patrick. Continue reading

Lion (2016)

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Image via cinemathread.com

This is an unexpectedly beautiful and thought-provoking film based on the true story of five-year-old Indian boy, Saroo, who becomes separated from his family. He is lost amongst the millions, one of 80,000 Indian children who go missing every year, and it is a 25 year journey before he has the chance to reconnect with his home. Continue reading

The Impossible (2012)

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Image via athenacinema.com

This is the film about the 2004 Boxing Day tsunami, centred around a couple in Thailand, played by Naomi Watts and Ewan McGregor, and their three sons. It starts off well, with a dramatic and effective recreation of the tsunami that puts you right in the centre of the action; feeling what it might be like to struggle for survival and what choices you would make about saving others. From there it descends into a mawkish melodrama that is heavy on violins and implausible dramatic twists. Continue reading

Lantouri (2016)

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Lex talionis; this is a judicial term I will not quickly forget. In the Iranian justice system it is the right of a victim to retaliation, to demand that the punishment inflicted correspond in degree and kind to the offence. This was touched on in Sound and Fury, where a victim’s family had the power to forgive or to ask for the death penalty. In Lantouri, retribution and forgiveness are at the core of the story and we get to see it from many viewpoints. Continue reading

Embrace of the Serpent (El Abrazo de la Serpiente) (2015)

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Image via embraceoftheserpent.oscilloscope.net

I recommend seeing a film you know nothing about on a Sunday morning. I was the only person in one of Nova’s subterranean cinemas for this black and white Colombian journey into the Amazon and a history of cultural decimation. There are two overlapping stories, both of white scientists on a search for a rare healing plant, guided through the jungle by loner Karamakate and separated by 30 years. Continue reading

Sound and Fury (Khashm Va Hayahoo) (2016)

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sound-and-furyI love film festivals. The weekend I chose to be in Melbourne, the Iranian Film festival just happened to be on. As my loyal readers will know, I have a penchant for Iranian films – Rhino Season, Manuscripts Don’t Burn, Crimson Gold, The Past, A Separation, Radio Dreams, A Girl Walks Home Alone at Night. And at festivals you end up seeing films you know nothing about, that will probably never get a release in Australia. A risk, yes, but a risk worth taking for this surprising film that I chose only because of its time slot and the beautiful B&W image above. Continue reading

The Hunt for the Wilderpeople (2016)

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The what-a-people? Full of memorable, quotable lines that are all the funnier for being in a Kiwi accent, there is nothing really to dislike about this sweet New Zealand comic drama by Taika Waititi, director of What We Do in the Shadows and Boy, two of my favourite Kiwi films. You’ll recognise Taika as he also often features in his films – Viago in Shadows, Alamein in Boy and the minister in Wilderpeople. Continue reading

Louis Theroux: My Scientology Movie (2015)

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I’m a fan of Louis, in fact I’m booked to see him in Melbourne in September. Having said that, I was pretty sure what to expect from this feature length Louis-style documentary; an enjoyable and endearing ride that would teach me something but perhaps leave me feeling a little unsatisfied. And that’s just what I got. Let’s face it, Louis is not about hard hitting investigative journalism, what makes him special is his ability to hang around people without saying much which seems to provoke them to reveal more than they intend or realise. In this case, it is ex-members of the Church of Scientology and various current members who show their colours by their aggressive and bullying behaviour toward Louis and his team. Continue reading

Tharlo (2015)

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THARLO-3What a beautiful and sad film. Set in Tibet, we first meet Tharlo (pronounced tarlo), or Ponytail as he is used to being called, as he recites the words of Mao Tse-tung that he learned by heart when he was nine. He speaks of death being inevitable but not all deaths being the same significance; death after serving the people is ‘heavier than Mount Tai’ but death after serving the fascists is ‘as light as a feather’. He is reciting this to the local police chief who remarks that, with such a memory, he had great promise as a child and his forty years as shepherd, building up a small living, is a waste. Continue reading

Soy Nero (2016)

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SOY-NERO-1Gosh this movie sounded good. The synopsis used words like ‘breathtaking’, ‘existential odyssey’, ‘abstract allegory’ and ‘a political version of a Beckett play.’ It really wasn’t any of those things though it has an interesting topic and some nice moments. It is a film in two distinct parts: we see Nero, a teen of Mexican origin who grew up in LA but was deported with his parents, trying to cross the border back to the US. In LA he meets up with his brother but not before being picked up by the police for looking too Mexican in a wealthy area of Beverley Hills. Nero’s plan is to be a ‘Greencard soldier’ where he can join the US military in exchange for a Greencard. Continue reading