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This is essentially a one-hander for nonogenarian Harry Dean Stanton who beautifully captures the fragility and complexities of old age. Continue reading

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This is essentially a one-hander for nonogenarian Harry Dean Stanton who beautifully captures the fragility and complexities of old age. Continue reading

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An artful satire about collective responsibility and contemporary art, The Square is clever and sometimes challenging but overlong in delivering its message. Continue reading

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I think we are supposed to feel sympathy for Polish artist Wladyslaw Strzeminski (Boguslaw Linda) whose avant-garde art saw him fall out of favour under socialism in the 40s. Continue reading

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Three men who have been held in detention on Manus Island tell their stories in an affecting graphic novel style of virtual reality. Continue reading

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What a ride! Dark City is like a glorious pastiche of sci-fi; the production design is Blade Runner if it was set in Adelaide, the villains are Nosferatu goth boy band wannabees and the hero is a 90s Humphrey Bogart if he wandered into The Matrix. Continue reading

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This quirky fable about modern day China charmed me with its surreal drollness and allowed a few quiet moments for a catnap. Continue reading

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This is rather delicate and oddball offering from Korean director Hong Sang-soo poses more questions than it answers but provides enough threads to pull together into a satisfying exploration of love and relationships. Continue reading

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This surprising New Zealand drama set on a remote sub-antarctic island focuses on three separate view points of one story. Continue reading

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This French drama, touted as being one of the most divisive films of MIFF 2017, was absorbing but ultimately lacked the punch I expected. Continue reading

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Child’s Pose, Romanian Cãlin Peter Netzer’s 2013 searing exploration of maternal love, is one of my favourite films. Ana, Mon Amour treads similar ground but, in its more epic, complex and ambitious scope, ultimately fails to engage. Continue reading