Director Lee Isaac Chung, sat down to write a final screenplay before taking on a ‘real job ‘for the sake of his family. Taking inspiration from Willa Cather, he closed his eyes and wrote down memories of his childhood.
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The hook for this quirky horror is definitely Nicolas Cage and the almost comical character he plays. It’s something that is variously hidden and revealed in promotion for the film and it was one of the things that made me go to see it at a cinema.
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If you feel like filling up your cup, without too much cloying sentimentality, I recommend Memoir of a Snail by Australian Adam Elliott.
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A ad for an anniversary screening of Wim Wenders’ Paris Texas played before the session of his latest film Perfect Days. I lived in London for a few years in my early 20s and it’s where I discovered non-mainstream films. I would go to art house cinemas, particularly one in Soho, and watch films on my own. This is where I discovered films like Paris Texas, Diva, Betty Blue, Down by Law, I’ve Heard the Mermaids Singing and The Kiss of the Spiderwoman. I fell in love with cinema.
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Do I have any right to be disappointed that the story of Lee Miller is book ended by her role and failures as a mother?
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Such a relief! I thought this latest English language feature by Yorgos Lanthimos might have his incisive gaze diminished by Hollywood capitalism but it is on par with some of his early gems, albeit with a more inspiring, less bleak ending.
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Director Matt Winn riffs off Hitchcock’s The Trouble With Harry in this ‘black comedy’ that modernises the vicissitudes of collective guilt and self interest.
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Director Kitty Green has some worthy documentary subjects under her belt and it’s no surprise that the excellent Hotel Coolgardie (2016) inspired her in this outback noir fictionalisation.
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This is a lovely story about friendships that can form across class divides and provide safety and salvation for women experiencing coercive control.
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This deeply affecting Irish documentary delves into the history of the institutionalisation of pregnant women from the 1920s to the 90s by various Irish institutions including the Mother and Baby Homes and Magdalene Laundries.
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