On my forays to Melbourne, I don’t often re-watch a film at the cinema – so many new films, so little time – but Parasite was worth a second go, especially as Cinema Nova was screening a black-and-white version.
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I was reminded of the quiet, rural drama of Dark River (2017) while watching this intense and satisfying dive into fundamentalism. It has some predictable beats but introspective camera work and a strong performance from Alice Englert help it transcend cliches.
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It seems fitting to catch up on a film missed at MIFF 2019 whilst sequestered to watch MIFF 2020 online. It was a late night find and Jillian Bell’s starring role was a major draw.
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With conductor, Marin Alsop‘s anti-women criticism running around my head and the film’s esoteric trailer looking a tad film school, my expectations were low.
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Low expectations are not a bad thing. I should like Ruben Östlund’s films as they provide an often unflinching look at social and personal failings and walk the fine line between drama and satire.
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I’m not sure of the wisdom of watching a horror like Zach Cregger’s Barbarian alone in a subterranean cinema on a Wednesday afternoon. My adrenaline was high for most of it as it twisted and turned through a dark labyrinth.
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Florence Pugh is becoming my go to star as just about any movie she is in seems made better by her presence.
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What a gem this Iranian three-handed drama is! Ali Jaberansari is a writer/director to watch.
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Rasoul Sadrameli creates an interesting exploration of gender and friendship in contemporary Iran.
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