

Christmas movies ideally should give us love and hope and not drown us in corn syrup. This queer Christmas rom-com has just enough tartness to balance the sugar.
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Christmas movies ideally should give us love and hope and not drown us in corn syrup. This queer Christmas rom-com has just enough tartness to balance the sugar.
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It’s refreshing to watch a ‘sick teen drama’ that avoids easy sentimentality and instead builds complex characters.
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It seems churlish to criticise this sepia-toned homage to working class heroes as it’s clear from the outset that it’s not trying to rock any boats. And who doesn’t love Jim Broadbent and Helen Mirren in a ‘based on a true story’ hagiography of the man who stole a painting from the London National Gallery in 1961?
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From it’s whimsical name to it’s awkwardly stylish mise en scène, Licorice Pizza should feel like a sweet and poignant dip into growing up in the 70s. Then why does it feel so creepy?
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“How lucky, to be comprehensively bereaved at birth. You have nothing to lose and everything to gain.”
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If you’re feeling a bit down about your life, watch this film.
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A panacea for Downton fans, Downton Abbey: A New Era is as insubstantial as a cucumber sandwich with the crusts cut off.
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A gentle and slightly awkward Australian comedy by Renée Webster that puts female pleasure in the centre of the story.
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Cho Min-ho gives us a measured exploration of the Korean independence protests of the 20s that thoroughly engages with its focus on one women and her plight.
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This artful satire by writer/director/star Amalia Ulman almost works but I couldn’t help feeling I was missing the point.
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