

Yngvild Sve Flikke’s gorgeous, feminist drama snuck up on me like a ninja, baby.
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Yngvild Sve Flikke’s gorgeous, feminist drama snuck up on me like a ninja, baby.
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Based on the real experiences of a woman seeking justice after her daughter is abducted by a Mexican cartel, Teodora Mihai’s first feature is not so much a revenge thriller as a portrait of indomitable strength amidst unimaginable tragedy.
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This stunning first feature by Ángeles Cruz interweaves the stories of three indigenous women across one festival day in a small village in the Cerro Nudo Mixteco mountainous region between Puebla and Oaxaca in Mexico.
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Mariana Di Girolamo is in the centre of every frame in Leonardo Medel’s stylish, unsettling and completely absorbing look at artifice and narcissism.
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The Hill Where Lionesses Roar is a remarkable achievement by 20-year old actor Luàna Bajrami (seen recently as Sophie in Céline Sciamma’s Portrait of a Lady on Fire (2019)), who is writer, director and star of this languidly beautiful story that captures the frustrations of youth, poverty and gender in rural Kosovo.
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With a run-time of 14 hours, this is a documentary to own so that you can dip in and out when you have the time. I was expecting a chronological exploration of female directors but this is something much more universal. Breaking the art of film-making down into 41 chapters, each technique and approach is illustrated only by clips from films made by women.
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Plot be damned, this wacky, fantastical tale carries you along in a multi-coloured street dance, transfixed by the awful beauty that is Ema.
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A low-budget family affair with a crew made up of director Alexandre Rockwell’s film students, Sweet Thing feels like a home movie as seen through the eyes of children.
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It’s hard to believe that this compelling drama is the first feature directed by Fernanda Valadez. It is a beautifully constructed film that pulls you in by various threads into a story of mothers and sons, broken by a cruel society.
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What at first seems a bright and cheesy opportunity to poke fun at the ignorance and excess of wealthy, white America becomes an insightful and somewhat bleak exploration of ageing.
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