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Jacques Tati lives on in this featherlight slapstick farce from duo Fiona Gordon and Dominic Abel. Continue reading

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Jacques Tati lives on in this featherlight slapstick farce from duo Fiona Gordon and Dominic Abel. Continue reading

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If you have experienced the sleepless nights of parenthood or the mental fragility that can come with it, it’s hard not to feel a connection with this story. Even if you haven’t, the powerhouse performances of Charlize Theron as exhausted mother Marlo and Mckenzie Davis as Tully, the night nanny she hires, will hook you in. Continue reading

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A shameless pleasure, this warm adaptation by Mike Newell (Four Weddings and a Funeral) of the book of the same name by Mary Ann Shaffer hits all the right notes. Continue reading

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Get it? And if you love dogs AND Wes Anderson movies, it’s likely that you’ll find more enjoyment in this clever and quirky but ultimately disappointing animation than I did. Continue reading

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Like a time capsule of white Australian society in the 50s, They’re a Weird Mob shows the challenges faced by immigrants in a culture that will give anyone go, as long as they’re a good bloke. Continue reading

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Directed by Alex Garland, he makes up for his terrible characterisation of women in Ex Machina (2014) with this epic female-led sci-fi. One of the first of many films, I suspect, sold directly to Netflix to avoid the cost of distribution outside the US, Annihilation is worth a look. Continue reading

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Hardly pausing to draw breath, this South Korean thriller by director Byung-gil Jung launches you into blood soaked action from the first unforgettable scene. Continue reading

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I came close to walking out of this documentary by Marco Del Fiol, about performance artist Marina Abramović, within the first 15 minutes. If I had, I would’ve missed an interesting meditation on ritual, spirituality and performance. Continue reading

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Based on the autobiography of Peter Turner, who had a relationship with Hollywood star Gloria Grahame in the last years of her life, this serviceable biopic showcases Annette Bening’s fine acting skills, which mostly distracts us from the rose-tinted clichés. Continue reading

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You expect a film with Daniel Day-Lewis in it is going to be substantial, meticulously crafted and have him squarely in the centre of the story. Phantom Thread certainly showcases his skills as a method actor but lacks drama and substance. Continue reading