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Category Archives: MIFF

House of the Seasons (장손)(2023)

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A visual representation of a four star rating

This was a strong debut from Oh Jung-min and reminded me of some other South Korean films I’ve seen that have a lyrical, pastoral nature and observe family dynamics and traditions without a lot of exposition or judgement (Burning, House of the Hummingbird). 

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October 2, 2024 1 Comment

As the Tide Comes In (Før Stormen)(2023)

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This feels like a pretty observation of a unique community that ultimately doesn’t really say anything.

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October 1, 2024 Leave a comment

Abiding Nowhere (2024)

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Visual representation of 3.5 out of five star rating

After sitting through four hours of McQueen’s Occupied City, I walked into slow cinema maven Tsai Ming Liang’s 70 minutes of a monk walking slowly.

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September 30, 2024 Leave a comment

La Cocina (2024)

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Visual representation of 3.5 out of five star rating

Such great promise that founders on the central character’s relentless awfulness.

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September 29, 2024 Leave a comment

Malu (2024)

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Although this is a strong ensemble piece about three generations of women, it felt like it came in a long line of films that I had seen over the last few weeks about women who are essentially damaged.

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September 28, 2024 Leave a comment

Hesitation Wound (2023)

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I’m not sure how I feel about this Turkish film by Selman Nacar. It ended with me feeling that I had missed some political or cultural context, seeing repeated motifs that perhaps had meaning but went over my head.

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September 27, 2024 Leave a comment

All Shall Be Well (2024)

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Visual representation of 3.5 out of five star rating

There is nothing really to criticise about the quality of this film. It is a delicate and tender portrait of a lesbian couple in Hong Kong, made tragic by the death of one that then cuts the other adrift with no rights in a heterosexual and patriarchal society.

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September 26, 2024 Leave a comment

The Seed of the Sacred Fig (2024)

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A visual representation of a four star rating

It’s been a day for hard hitting films. This was one film I was really looking forward to as it’s by one of my favourite directors, Mohammed Rasoulof (Manuscripts Don’t Burn, A Man of Integrity, There is No Evil). He has a tendency to explore morals and actions within corrupt systems in Iran and this one follows those themes.

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September 25, 2024 Leave a comment

Matt and Mara (2024)

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Matt Johnson is like Mark Duplass’s goofy cousin. This gently diverting, stream of consciousness, white middle class angst movie reminded me a bit of films like Lynn Shelton’s Hump Day (2009) or an early Kelly Reichardt film but without the social weight.

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September 24, 2024 Leave a comment

I Saw the TV Glow (2024)

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I really didn’t enjoy this film. It felt like a drama camp improv piece with funding. Having spoken to a queer friend afterward though, they have given me lots of links to articles on how it is a trans metaphor and groundbreaking in a lot of ways.

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September 23, 2024 Leave a comment

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