

“Some stories are meant to be re-told, some to be burnt.”
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An amazing narrative built from observational filming over three years. Hatidze lives in a remote abandoned Macedonian village with her elderly mother. She harvest honey from bees she has carefully cultivated and sells it in Skopje.
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I was reminded of the quiet, rural drama of Dark River (2017) while watching this intense and satisfying dive into fundamentalism. It has some predictable beats but introspective camera work and a strong performance from Alice Englert help it transcend cliches.
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I was a bit trepidatious about seeing Almodóvar’s latest (in 2019 – it’s taken me a while to post this!).
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It seems fitting to catch up on a film missed at MIFF 2019 whilst sequestered to watch MIFF 2020 online. It was a late night find and Jillian Bell’s starring role was a major draw.
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Low expectations are not a bad thing. I should like Ruben Östlund’s films as they provide an often unflinching look at social and personal failings and walk the fine line between drama and satire.
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The story of Katia and Maurice Krafft was made for a documentary like this. In the 70s and 80s, they were feted as the only volcanologist couple, bound by their love for each other and of trying to understand active volcanoes.
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Nick Cage is back, “not that he went anywhere.” In this meta romp of a bromance, Tom Gormican turns Nicolas Cage’s delightful satirisation of his film career up to 11.
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You don’t have to be in aspiring thespian (or the parent of one) to enjoy this warm, funny debut feature from Molly Gordon and Nick Lieberman.
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