
I walked into this film thinking I knew what kind of experience it was going to be. It’s a documentary by Sue Thomson about the growing number of women aged over 55 in Australia who are finding themselves unexpectedly homeless.
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I walked into this film thinking I knew what kind of experience it was going to be. It’s a documentary by Sue Thomson about the growing number of women aged over 55 in Australia who are finding themselves unexpectedly homeless.
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Kamila Andini delicately explores the difficulties of being a 16 year old girl in a society that thinks it knows what’s best for you, without giving us any easy answers.
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This sad and beautiful documentary is about an ordinary family who is in fact quite extraordinary.
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A warm-hearted cautionary tale for all those feeling the need to flex about their lives.
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Victor Erice’s classic film about childhood and Spain’s political turmoil is transcendent film making.
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Chloe Okuno’s debut feature is a taut and tense thriller that kept me on the edge of my seat.
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I love having an unexpected film experience. James Benning gives us an alphabetical tour of the states, territories and districts of the USA that is part meditation and part lexophile’s delight with a paraprosdokian sting in the tail (look it up).
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Having ‘the water inside’ might spell doom or freedom in this meditative Spanish drama.
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I walked out of this film thinking “Beautiful. Profound. I have no idea what it’s about.”
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You can see that this film has been a labour of love and a way for director Penelope McDonald to honour her friend, Warlpiri artist and actor Audrey Napanangka. It took 10 years of filming and collaboration, over 160 hours of footage – while introducing the film McDonald aptly quotes Da Vinci, “Works of art aren’t finished, they’re abandoned.”
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