You need to be immersed in slow cinema to really feel its beat and emotion and Tsai Ming-Liang’s mood piece about urban loneliness was lost on me on a small screen.
Continue readingDays (Rizi) (2020)
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Palazzo Di Cozzo (2021)
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It’s hard not to like this unashamed hagiography of furniture salesman and Melbourne icon, Franco Cozzo.
Continue readingThe Nowhere Inn (2020)
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Messy, arty and wry, this mockumentary by Bill Benz weaves the true-life friendship of Carrie Brownstein and Annie Clark, stage-name St. Vincent, with a rumination on fame, identity and artifice.
Continue readingBandar Band (2020)
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This simple and joyful film, ostensibly about a young band trying to navigate flood waters to get to Tehran for an audition, hides a deeper meaning about the challenges for young Iranians.
Continue readingGaza Mon Amour (2020)
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A bitter-sweet romance that, by stealth, will show you the precariousness of living in Palestine.
Continue readingPlaylist (2021)
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Like a black and white Amelie (2001) without the whimsy, French director and graphic novelist Nine Antico’s first feature tracks the travails of hapless Sophie (Sara Forestier) as she searches for love.
Continue readingGirls/Museum (2020)
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Director Shelly Silver takes a simple premise – to interview young women about the art they are seeing in a gallery – and creates an absorbing commentary on female representation and its effects.
Continue readingRiders of Justice (Retfærdighedens Ryttere) (2021)
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A surprisingly wholesome, bloody revenge movie that sees a father’s suppressed rage wreak havoc when he thinks his wife’s death was part of an assassination plot.
Continue readingAblaze (2021)
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Ostensibly a deep dive by singer, and now filmmaker, Tiriki Onus into the history of his grandfather, Bill Onus, the result gives us important insight into the difficulties faced by Australia’s First Peoples over the past century.
Continue readingPreparations to Be Together for an Unknown Period of Time (2020)
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Full of slow twists and turns and existential ruminations on the intersections of physiology, memory and personality, Lili Horvát’s enigmatic drama gives us no easy answers.
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