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Asghar Farhadi is an accomplished director and he knows how to tell a good and complex story. His films often show us people who have a veneer of success – jobs, wealth, relationships, family – and are confronted with a moral dilemma that slowly unravels their comfortable lives. Everybody Knows is no exception and, once again, Farhadi has created a film outside of his native Iran. Continue reading
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The Bay City Rollers was my boyband obsession. Tartan scarves were banned from my primary school because we used to wear them tied to our wrists to show our devotion. My cousin called them the Bay Shitty Rollers, just to annoy me. Continue reading
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This one was a last minute swap when I couldn’t face racing to Hoyts to be potentially disappointed by Robert Pattinson in the farcical, some say feminist western Damsel. That’s one of those films that can be a delight or a travesty and I didn’t feel like risking it. Dark River was a good choice. Directed by Clio Barnard it’s a dark and brooding tale of abuse as seen through the eyes of a survivor. Continue reading
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Agnieszka Smoczynska’s credentials as the director of 80s musical about killer mermaids The Lure, got me along to Fugue, her next feature. They couldn’t be more different in tone and style but both have stories that recast women out of familiar stereotypes. Continue reading
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Blending just the right amount of bleached Eastern European realness with surreal metaphor, Scary Mother is a dark and brooding tale of female autonomy. Continue reading
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This low-key love letter to Tasmania made me want to hang out with director Ted Wilson and his engaging family. Continue reading
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I have been waiting to watch this South Korean zombie film with my Korea-obsessed daughter and it did not disappoint. Now one of my favourite zombie movies (I’m a bit partial to Dawn of the Dead, Shaun of the Dead, and Warm Bodies), it had me hiding behind a cushion for most of its 118 minutes. Continue reading
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Like an episode of Midsomer Murders but painted, this misguided commodification of the art of Vincent Van Gogh is devoid of any real exploration of the artist or his art. Proudly stating upfront that each frame has been hand painted, the gimmick is at first intriguing but soon becomes a distraction. It can’t hide the insubstantial plot, dodgy accents and lack of drama. Continue reading
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I missed this one at MIFF and it’s a timely tale of the damage caused by a lack of love and acceptance. Johnny (Josh O’Connor) lives on an isolated Scottish farm with his dad (Ian Hart) and Nan (Gemma Jones). There’s not much warmth in his world. His dad, whose physical ability has been limited by a stroke, lets Johnny know of his expectations and also his constant disappointment. Continue reading
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So here are my best of lists for MIFF 2017. I’ve grouped them so you can get a better idea of the kind of movies they are. Continue reading
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