Funan (2018)

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The Killing Fields (1984) was an influential movie for me. I was 19 when it came out and it was my first experience of the atrocities of Pol Pot in Cambodia and the eradication of 2 million people. Funan covers the same story, focusing on one family who are forced to flee Phnom Penh by the Khmer Rouge (or Angkar). Continue reading →

The Souvenir (2019)

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This was not at all what I expected. My tendency is to skim over a synopsis if there are some key trigger words – in this case Tilda Swinton and Richard Ayoade. I think I was expecting something akin to the polished drawing-room drama of Sally Potter’s The Party (2017). It couldn’t have been more different. Continue reading →

In My Blood it Runs (2019)

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I loved Maya Newell’s Gayby Baby (2015). She has a knack of removing herself from the frame and immersing us in the intimate world of family. It can seem like a commonplace tale until you slowly realise that she is personalising key social concerns, allowing us a window into the impact of prejudice, racism and institutionalised apathy. Continue reading →