Such a relief! I thought this latest English language feature by Yorgos Lanthimos might have his incisive gaze diminished by Hollywood capitalism but it is on par with some of his early gems, albeit with a more inspiring, less bleak ending.
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Director Matt Winn riffs off Hitchcock’s The Trouble With Harry in this ‘black comedy’ that modernises the vicissitudes of collective guilt and self interest.
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Director Alice Troughton has a TV pedigree; she directed two of my favourite Doctor Who episodes – The Doctor’s Daughter and the iconic Midnight.
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Emerald Fennell gives us Brideshead Revisited and The Talented Mr. Ripley dragged screaming into a fantastical modern world where desire perverts everything.
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Director Kitty Green has some worthy documentary subjects under her belt and it’s no surprise that the excellent Hotel Coolgardie (2016) inspired her in this outback noir fictionalisation.
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This is a lovely story about friendships that can form across class divides and provide safety and salvation for women experiencing coercive control.
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This deeply affecting Irish documentary delves into the history of the institutionalisation of pregnant women from the 1920s to the 90s by various Irish institutions including the Mother and Baby Homes and Magdalene Laundries.
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ACMI in Melbourne is running a retrospective of the films of Mohammad Rasoulof, an Iranian director who has made some of my favourite films (Manuscripts Don’t Burn, A Man of Integrity, There is No Evil).
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Kristoffer Borgli (sick of myself 2022) takes a delightful premise and then drains it of joy and drama.
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Okay full disclosure, I have a bias towards Nicolas Cage films. He won me over with The Unbearable Weight of Massive Talent and now I get as much enjoyment out of his films that are badly scripted and acted as I do from the good ones.
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