

“Some stories are meant to be re-told, some to be burnt.”
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Where are you going Aida? Aida (Jasna Đuričić) is a former teacher, co-opted into translating for the UN in Srebrenica during the 90s Bosnian war.
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An amazing narrative built from observational filming over three years. Hatidze lives in a remote abandoned Macedonian village with her elderly mother. She harvest honey from bees she has carefully cultivated and sells it in Skopje.
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This is a completely enjoyable film by Sofia Coppola, led by Rashida Jones’s strong, awkward and likeable characterisation of an every woman who realises she has unknowingly transitioned from exciting and sexy to boring and frumpy in the eyes of her husband.
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I love a good psychological thriller and have a secret fascination with the kind of detective work that must go into investigating plane crashes.
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I watched this film five years ago and never finished my review. Here’s what I wrote at the time compared to AI-generated text …
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Maybe I shouldn’t have been surprised/disappointed that a film with this title revolved primarily around the experiences of a group of men.
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Thanks Lowell for telling me to lower my expectations with this Gen Alpha meets ancient Japanese grudges J-horror.
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I feel a bit ashamed to say that I can’t remember if I’ve ever seen a film by Takeshi Kitano. I feel that surely I have seen Hana-Bi (1998) or Zatoichi (2003) but from the glimpses in this interesting short documentary by Yves Montmayeur, none really stand out.
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