Late night B grade horror is a bit of a MIFF treat but I think I knew 10 minutes in that this one was not going to be a ‘so bad, it’s good one’.
Continue readingBlackout (2023)
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She Sat There Like All Ordinary People (2024)
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Shut Eye (2022)
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A mental health crisis and ASMR collide to create a portrait of two lonely people in Auckland at night.
Continue readingDeep Sea (Shen Hai) (2023)
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Room 999 (Chambre 999) (2023)
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A room full of filmmakers with remarkably little insight into the world outside of their bubble.
Continue readingGive Me Pity! (2022)
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Return to Seoul (Retour à Séoul) (2022)
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I liked director Davy Chou’s 2016 film Diamond Island and his latest feature, set in South Korea rather than Cambodia, has the same slow, introspective quality.
Continue readingCrimes of the Future (2022)
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I think I knew this was going to be overblown Cronenberg fan boy drivel but Kristen Stewart so I pushed on through to a 9.45pm fourth film of the day sold out screening. I was lulled occasionally by KStew and the always mesmerising Léa Seydoux and stuck it through to its trite ending.
Continue readingKompromat (2022)
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Rules for escaping a totalitarian state: 1) Don’t use a mobile phone; 2) Don’t use a mobile phone to call the daughter-in-law of your pursuer; 3) Don’t use a torch when crossing a patrolled border at night. And a hot tip – Siberian aluminium foil is the bomb!
Continue readingDownton Abbey: A New Era (2022)
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A panacea for Downton fans, Downton Abbey: A New Era is as insubstantial as a cucumber sandwich with the crusts cut off.
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