

Refreshing in its portrayal of the good and evil of Japan’s part in WWII, Kiyoshi Kurosawa’s mystery has some decent twists and turns amidst the melodrama.
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Refreshing in its portrayal of the good and evil of Japan’s part in WWII, Kiyoshi Kurosawa’s mystery has some decent twists and turns amidst the melodrama.
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The Irish Film Festival Australia is streaming online; a glorious chance to drink Guinness, cook Irish food and immerse ourselves in Irish culture and stories. Emer Reynolds’ warm-hearted hagiography of Thin Lizzy front man Phil Lynott is a welcome elevation of his music and the difficulties of being “the only black boy in Dublin in the 50s” rather than the tragic ignominy of his death.
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It’s hard not to like this unashamed hagiography of furniture salesman and Melbourne icon, Franco Cozzo.
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Like a black and white Amelie (2001) without the whimsy, French director and graphic novelist Nine Antico’s first feature tracks the travails of hapless Sophie (Sara Forestier) as she searches for love.
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Director Shelly Silver takes a simple premise – to interview young women about the art they are seeing in a gallery – and creates an absorbing commentary on female representation and its effects.
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Ostensibly a deep dive by singer, and now filmmaker, Tiriki Onus into the history of his grandfather, Bill Onus, the result gives us important insight into the difficulties faced by Australia’s First Peoples over the past century.
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This odd and meandering meditation on adolescent vulnerabilities slowly warms your heart as you watch college freshman Alex (writer, director and star Cooper Raiff) get a grip on life.
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Plot be damned, this wacky, fantastical tale carries you along in a multi-coloured street dance, transfixed by the awful beauty that is Ema.
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Valentyn Vasyanovych knows how to frame and hold an image. This slow and poignant exploration of the aftermath of war is like a series of tableau, stitched together to create a compelling and rigorous story.
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What at first seems a bright and cheesy opportunity to poke fun at the ignorance and excess of wealthy, white America becomes an insightful and somewhat bleak exploration of ageing.
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