

What would you do to lift yourself out of poverty?
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Maite Alberdi allows us to travel back-and-forth through the life of writer Augusto Góngora. Part of the documentation and reconciliation after Chile’s fascist junta, his own memories are now scattering with Alzheimer’s.
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“Perpetrator perp-perpetrator, you’re a perpetrator.” The beats of Britney Spears’ Womanizer oddly fit this chaotic, feminist body horror by Jennifer Reeder.
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Kleber Mendonça Filho takes us on a slow, self referential meander through his home suburb of Recife in Brazil and the history of its cinemas.
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A couple of cinematic hours in a remote, Siberian village is never a bad thing. I still remember the exquisite Ága (2018), an intensely beautiful exploration of silence and subsistence that immersed you in a life that seems far removed from what we think of as Russian culture.
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An insubstantial musical bubble about the vagaries of love set in an 80s stage set shopping mall.
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Georgia Oakley crafts a decent debut feature that captures the challenges of being a lesbian in Thatcher’s Britain.
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I want to say nice things about Andrew Durham’s Fairyland because it gives us an overview of queer culture in San Francisco in the 70s to 90s, a pivotal time.
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Lesson one: don’t watch a 2 1/2 hour slow French film at 9:30 pm at night at the Comedy Theatre.
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Granaz Moussavi has followed up her 2009 hit My Tehran for Sale with an intimate look at street kids in Kabul.
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