Full of slow twists and turns and existential ruminations on the intersections of physiology, memory and personality, Lili Horvát’s enigmatic drama gives us no easy answers.
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A worthy but meandering elegy to the many transgender people murdered in Brazil, the highest per capita in the world, according to the end credits.
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A low-budget family affair with a crew made up of director Alexandre Rockwell’s film students, Sweet Thing feels like a home movie as seen through the eyes of children.
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At first, this look at the inherent bias of algorithms in our daily lives made me uneasy and tempted to ditch all my technology. I stuck with it, though it nearly had me nodding off with its ambling pace, and was rewarded with some third act gems,
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Flashing coloured lights, an ominous score and an intense and tear-stained performance by a small ensemble cast make Amy Seimetz’s second feature a frustrating and memorable experience. Its seemingly prescient exploration of a pandemic of belief has many nuances that reflect current social crises.
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Notable for being the most significant acting performance by Miles Davis, Rolf de Heer’s feel-good, boy-has-a-dream drama seems like a film from another era.
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I wanted to like this documentary about “the first all-female band who wrote their own songs and played their own instruments to reach number one in the Billboard album charts.” This fact in itself is worthy of celebration. That this feat occurred in 1982 and hasn’t been repeated is appalling and I was hoping that this documentary by Alison Elwood might shine a light on “why The Go-Go’s?”
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Image via miff.com.au
Ten minutes into this sophomore feature by Kaili Blues (2015) director Gan Bi, I remembered how much I struggled to engage with his first film. Continue reading
Image via miff.com.au
I was primed for this New Zealand musical as a line of Maori singers serenaded the queue as we waited and they walked into the cinema. I was a tad disappointed when I realised they were there for For My Father’s Kingdom in Kino 1 and Daffodils was going to be a bit more pakeha. Continue reading
Image via miff.com.au
A black and white oddity, this restored copy of the 1990 film by American Nietzchka Keene is known primarily as singer Björk’s first feature film. Continue reading
