

Shawkat Amin Korki cranks up the tension in this exploration of the desperate lengths people will go to when they are given few choices.
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Shawkat Amin Korki cranks up the tension in this exploration of the desperate lengths people will go to when they are given few choices.
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I was instantly transported back 40 years in Richard Lowenstein’s chaotic love letter to 70s post-punk subculture.
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I love having an unexpected film experience. James Benning gives us an alphabetical tour of the states, territories and districts of the USA that is part meditation and part lexophile’s delight with a paraprosdokian sting in the tail (look it up).
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This Gen Z horror comedy is bound to become a pop culture favourite with its witty and quotable dialogue and great blend of gore and laughs.
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Even though it’s two hours long, there isn’t a minute wasted in this taut thriller that shines a light on the precariousness of being a woman in Iran.
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Sinéad O’Connor was ahead of her time, unapologetically outspoken for all the things we believed but didn’t have the courage to say.
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This latest film from Japanese director Hirokazu Koreeda is masterful storytelling. I came out of the screening with a similar feeling to when I watched Bong Joon-ho’s Parasite (2019); contemporary South Korea where the dramatic tension comes from depth of character not plot.
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Colm Bairéad has given us a surprisingly unsentimental look at what shapes us as children in this Gaelic language exploration of a summer in the life of one neglected child.
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Oh my heart! This inventive and engaging Scottish documentary about small town scammer ‘Brandon Lee’ is more a celebration of humanity than a salacious exposé.
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I cried right through the end of this touching documentary that shines a light on the experience of hidden carers.
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