Broker (브로커) (2022)

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Image via miff.com.au

This latest film from Japanese director Hirokazu Koreeda is masterful storytelling. I came out of the screening with a similar feeling to when I watched Bong Joon-ho’s Parasite (2019); contemporary South Korea where the dramatic tension comes from depth of character not plot.

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We Might As Well Be Dead (2022)

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Image via miff.com.au

A well-dressed couple and their child trek through a forest and enter a compound where a white tower block rises amidst verdant lawns and a manicured golf course. They are desperate for their residence application to be accepted in this dystopian world where everything outside the fence is, seemingly, dangerous.

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