With a beginning that reminded me of the doleful surrealism of Lanthimos’s The Lobster (2015), Christos Nikou gives us an unexpectedly gentle portrait of a man struggling with grief.
Continue readingApples (Μήλα) (2020)
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The Nowhere Inn (2020)
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Messy, arty and wry, this mockumentary by Bill Benz weaves the true-life friendship of Carrie Brownstein and Annie Clark, stage-name St. Vincent, with a rumination on fame, identity and artifice.
Continue readingBandar Band (2020)
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This simple and joyful film, ostensibly about a young band trying to navigate flood waters to get to Tehran for an audition, hides a deeper meaning about the challenges for young Iranians.
Continue readingGaza Mon Amour (2020)
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A bitter-sweet romance that, by stealth, will show you the precariousness of living in Palestine.
Continue readingRiders of Justice (Retfærdighedens Ryttere) (2021)
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A surprisingly wholesome, bloody revenge movie that sees a father’s suppressed rage wreak havoc when he thinks his wife’s death was part of an assassination plot.
Continue readingChess of the Wind (1976)
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A glimpse into Iran between two revolutions, Mohammad Reza Aslani’s long-lost first feature manages to meld Vermeer-like drawing-room drama with gothic horror.
Continue readingDear Comrades! (Dorogie tovarishchi) (2020)
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In carefully composed black and white imagery, we watch the Soviet propaganda machine go into overdrive to cover up 1960s labour strikes and a subsequent, ill-advised massacre.
Continue readingBallad of a White Cow (2021)
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Reminiscent of an early Asghar Farhadi film, this tense and elegant drama by partners Behtash Sanaeeha and Maryam Moghadam explores the complexities of sacrifice and atonement in contemporary Iran.
Continue readingLa Civil (2021)
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Based on the real experiences of a woman seeking justice after her daughter is abducted by a Mexican cartel, Teodora Mihai’s first feature is not so much a revenge thriller as a portrait of indomitable strength amidst unimaginable tragedy.
Continue readingThe Hill Where Lionesses Roar (2021)
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The Hill Where Lionesses Roar is a remarkable achievement by 20-year old actor Luàna Bajrami (seen recently as Sophie in Céline Sciamma’s Portrait of a Lady on Fire (2019)), who is writer, director and star of this languidly beautiful story that captures the frustrations of youth, poverty and gender in rural Kosovo.
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