I felt mesmerised for two straight hours by this dreamlike fairytale from Lucile Hadzihalilovic. As I was walking out though, there was more than one person who said, “oh I would give that zero stars. I feel sorry that people spent money on it. That was so awful.”
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I love this sort of tense realist drama. This is directed by Laura Wandel and produced by the Daedenne Brothers and you can feel their touch in the understated character driven narrative.
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I’m not sure what I expected from feature from Brazilian director Gabriel Mascaro. For some reason I thought it had elements of magical realism, probably something to do with the image above (that I obviously didn’t look at closely).
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And the award for the best dog acting at the Melbourne International Film Festival goes to Indy who played Indy in Good Boy!
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This rather endearing and slightly mad documentary about hunting for Burmese pythons in the Florida Everglades is exactly what you’d expect from a movie about hunting pythons in the Florida Everglades but then a little bit more.
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Not about a woman called Dispeller but about a legitimate practice in China where wives, who find out their husbands are cheating on them, employee someone to dispel the mistress – a mistress dispeller.
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I keep forgetting one of the joys of MIFF is seeing an Antipodean documentary about a person, having them there at the screening and finding out they’re a really decent person. The MIFF trifecta.
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Oh the sweet nostalgia of the 90s! The toxic world of commercial photography, particularly if you’re a woman, and the chic of heroin-fuelled nights.
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Fatima (Nadia Melliti) is an Algerian teen living in France. She loves football, hangs out with her bros at school, and spars with her older sisters as they tease her for not knowing how to cook or dress in a way that men like.
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I really enjoyed this film, although afterwards I felt guilty about it. How can someone so toxic be so adorable?
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