

I find it hard to objectively critique Australian films, particularly when you’re at the premiere and the audience is jam-packed with people who worked on the film and their friends and family.
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I find it hard to objectively critique Australian films, particularly when you’re at the premiere and the audience is jam-packed with people who worked on the film and their friends and family.
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I can’t believe I almost skipped this film! It was such a delight from beginning to end.
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Zombie movie – tick. Set in Tasmania – tick. Starring Daisy Ridley – okay, I can go with that.
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Kasimir Burgess made a documentary Franklin a few years back, that I really enjoyed. With that film, he used a central story and narration to help us understand several threads about activism, nature, and acceptance of identity.
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Can a documentary be too quirkily perfect? This might be a good example of one, where, after thoroughly enjoying every perfectly framed moment and oddball character, I began to wonder if the whole thing was constructed like a Christopher Guest mockumentary.
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This is a well-meaning film that will have a guaranteed audience amongst Australians who love the Paul Kelly song it is based on.
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If you feel like filling up your cup, without too much cloying sentimentality, I recommend Memoir of a Snail by Australian Adam Elliott.
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Emerald Fennell gives us Brideshead Revisited and The Talented Mr. Ripley dragged screaming into a fantastical modern world where desire perverts everything.
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Director Kitty Green has some worthy documentary subjects under her belt and it’s no surprise that the excellent Hotel Coolgardie (2016) inspired her in this outback noir fictionalisation.
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Goran Stolevski drops us into a maelstrom of a household and holds us there through grief and hardship and transcendent moments of love.
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