Directors Micheal Dweek and Gregory Kershaw take us into the sparse remote world of Argentine gauchos (and one gaucha).
Continue readingGaucho Gaucho (2024)
StandardTag Archives: B&W
Green Border (Zielona Granica) (2023)
Standard
I sat in the front row of the Capital cinema for the first time to watch this intensely emotional epic from Agnieszka Holland as a man across the aisle from me was chewing on something that sounded like a hard lolly with his mouth open for the first 10 minutes of the film and I couldn’t handle it. The front row was a good choice as it enveloped me in the austerity and complexity of this story of asylum seekers in Europe.
Continue readingThe Girl with the Needle (Pigen Med Nålen)(2024)
Standard
The Golem (1920)
Standard
Dark Mofo is a space for oddities and the screening in the Hobart Town Hall of this 1920 silent, German horror with live music score by electronic artist Lucrecia Dalt is a good place to start.
Continue readingParasite (기생충) (2019)
Standard
On my forays to Melbourne, I don’t often re-watch a film at the cinema – so many new films, so little time – but Parasite was worth a second go, especially as Cinema Nova was screening a black-and-white version.
Continue readingBlood (O Sangue) (1989)
Standard
Kayo Kayo Colour (2023)
Standard
As the first gorgeous black-and-white scenes unfolded, I thought I had stumbled into a documentary.
Continue readingFremont (2023)
Standard
I loved Babak Jalali’s Radio Dreams (2016), and he doesn’t disappoint with the tonally very different but just as meticulous Fremont.
Continue readingThe Goddess (Devi) (1960)
Standard
Satyajit Ray is a master of pared-back social drama that exposes the class and social structure of India.
Continue readingThe Novelist’s Film (소설가의 영화)(2022)
Standard
I find myself wanting to like South Korean auteur Hong Sangsoo’s work. Maybe I’m choosing the wrong ones out of his huge filmography as they seem whimsically pedestrian and self-absorbed, albeit in a way that’s meant to be charming.
Continue reading
fillums 