Image via http://www.vimeo.com
The delightful, tiny film Once thrust musicians Glen Hansard and Markéta Irglová into the spotlight when they won an Academy Award for Best Original Song in 2008 for Falling Slowly. The Swell Season is the name of the band they formed and toured around the world as well as this quiet and genuine B&W documentary that follows the ups and downs of their personal and professional relationship in the aftermath of their success. Continue reading
Image via http://www.filmpressplus.com
Screening as part of the German Film Festival (that finishes this week in Melbourne), Doris Dörrie writes and directs this homage to the Alain Resnais film Hiroshima Mon Amour and a love letter to the people of Fukushima. Shot in black and white, this begins as a slight tale of a German girl, Marie (Rosalie Thomass), trying to escape her memories amongst those cast adrift in the wastelands of Fukushima, two years after the earthquake and nuclear disaster. Continue reading
Image via embraceoftheserpent.oscilloscope.net
I recommend seeing a film you know nothing about on a Sunday morning. I was the only person in one of Nova’s subterranean cinemas for this black and white Colombian journey into the Amazon and a history of cultural decimation. There are two overlapping stories, both of white scientists on a search for a rare healing plant, guided through the jungle by loner Karamakate and separated by 30 years. Continue reading
I love film festivals. The weekend I chose to be in Melbourne, the Iranian Film festival just happened to be on. As my loyal readers will know, I have a penchant for Iranian films – Rhino Season, Manuscripts Don’t Burn, Crimson Gold, The Past, A Separation, Radio Dreams, A Girl Walks Home Alone at Night. And at festivals you end up seeing films you know nothing about, that will probably never get a release in Australia. A risk, yes, but a risk worth taking for this surprising film that I chose only because of its time slot and the beautiful B&W image above. Continue reading
What a beautiful and sad film. Set in Tibet, we first meet Tharlo (pronounced tarlo), or Ponytail as he is used to being called, as he recites the words of Mao Tse-tung that he learned by heart when he was nine. He speaks of death being inevitable but not all deaths being the same significance; death after serving the people is ‘heavier than Mount Tai’ but death after serving the fascists is ‘as light as a feather’. He is reciting this to the local police chief who remarks that, with such a memory, he had great promise as a child and his forty years as shepherd, building up a small living, is a waste. Continue reading
Too bleak for me. Beautiful black and white but claustrophobically grim, this Mexican drama centres on two ageing prostitutes who struggle to make enough money to live. They are exploited by everyone and do the same to others in order to survive. The only true connection seems to be the friendship, or perhaps commonality, between them. Continue reading
I love contemporary black and white films. It’s the beauty of the tone and the other-worldliness it creates. I, Olga Hepnarova is a quiet, thoughtful film. Based on history, Olga was the last woman executed in Czechoslovakia, at the age of 22, for deliberately driving a truck along a crowded footpath. This portrayal attempts to create some context to her life and glean the psychology behind this act. Continue reading
Black and white – that adds half a star to my rating. Shallow, I know, but there is something about black and white that suffuses me with pleasure. This lovely Finnish film is about a boxer, Olli Mäki, who has the potential to be world champion, a first for Finland in 1962. That beautiful black and white camera follows Olli as he trains, grapples with the publicity and pressure and falls in love with Raija. Continue reading
Like Ma, this film was a little challenging to enjoy as it made no concessions for the knowledge-base, or lack of it in my case, of its viewers. Made entirely of found footage with no narration or explanation, we watch the events unfolding in Leningrad in 1991 as the Soviet Union collapses. Continue reading
Or why sometimes it is better to cut and run. Pierre and Manon are married. They are documentarians who struggle to make ends meet. Pierre is silent and dour, Manon sparkles and pleases. Pierre meets a younger women, Elizabeth, and begins an affair. One day Elizabeth spies Manon in the arms of another man and must decide if she should tell Pierre. Continue reading
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