

This feels like a pretty observation of a unique community that ultimately doesn’t really say anything.
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This feels like a pretty observation of a unique community that ultimately doesn’t really say anything.
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It’s hard not to feel affected by this intense and beautiful historical drama set in late 19th century Iceland.
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A surprisingly wholesome, bloody revenge movie that sees a father’s suppressed rage wreak havoc when he thinks his wife’s death was part of an assassination plot.
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A documentary about Colonia Dignidad, the German fundamentalist evangelical cult based in a Chilean rural compound and led by subsequently convicted paedophile Paul Schäfer, seems to promise shock and horror at the uncovering of the many atrocities that happened there in the 60s and 70s. Directors Marianne Hougen-Moraga and Estephan Wagner manage instead to craft a contemplative and non-didactic meditation on human nature, trauma and denial.
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The experience of watching this unique musical tragedy by Danish director Lars Von Trier is burned on my brain. I was a new mum and it was a rare moment when the baby was asleep and I had a few hours to watch a film.
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Although set in a single room, Gustav Möller’s first feature cranks up the tension with a layered and intense story. Continue reading

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What if you’re a decent man, with an affinity for children, and you are accused of being a paedophile? This is the dilemma that faces Lucas (Mads Mikkelsen) when a misinterpreted remark by a young pupil at the kindergarten where he teaches sparks a flawed investigation. Continue reading
I loved this Danish film. It is poignant and engaging, an exploration of ageing, relationships and the difficulty of embracing change. It centres around Anna, Erik and their teenager daughter Freja. Set in the 70s, Anna is a well-known newscaster, Erik a lecturer in architecture. When Erik’s father dies, he is left the huge house of his childhood and Anna convinces him not to sell it. Instead they will live in it and invite friends to form a commune. Continue reading
Ah no. Don’t see this film. If you do and you find something to like about it, some hidden profundity, please let me know. Its directed by Nicolas Winding Refn who directed Drive, a film I really liked. The Neon Demon seems to be about the fashion industry and, more specifically, the obsession with female beauty. Every character is unlikeable, the men are all voyeurs or predators, the women are all narcissistic and monstrous. Continue reading
This would be a hagiography if Fassbinder wasn’t so unlikeable. Rainer Werner Fassbinder had too much freedom as a child. Rainer Werner Fassbinder had unusual ideas about having sex with your mother. Rainer Werner Fassbinder believed all relationships were power plays. Rainer Werner Fassbinder never grew up. Rainer Werner Fassbinder was a sadistic misogynist. Rainer Werner Fassbinder just wanted to be a father. Rainer Werner Fassbinder was a workaholic. Continue reading