

ACMI in Melbourne is running a retrospective of the films of Mohammad Rasoulof, an Iranian director who has made some of my favourite films (Manuscripts Don’t Burn, A Man of Integrity, There is No Evil).
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ACMI in Melbourne is running a retrospective of the films of Mohammad Rasoulof, an Iranian director who has made some of my favourite films (Manuscripts Don’t Burn, A Man of Integrity, There is No Evil).
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This isn’t the easiest film to like. A quasi documentary based on the memoir by writer director Bill Bennett about his pilgrimage along ‘the way’ to Santiago de Compostela.
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I feel enchanted by this unexpected emotional journey from the top of Alaska to the tip of Patagonia.
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This feels like a pretty observation of a unique community that ultimately doesn’t really say anything.
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I found this documentary hard going. If I’d seen it at the start of the festival and less tired, I might have been awed by the technique of overlapping footage with disconnected but meaningful audio.
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I remember feeling similarly shell-shocked after For Sama. There is something devastatingly compelling about first person footage during wartime and with No Other Land, it wasn’t even officially a war.
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This is one of those delightful stories you can’t believe is true but you’re so glad it is.
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I don’t think I’ve ever seen a documentary quite like this before, where the subject is the filmmaker and the act of making the film is one of such courage.
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If you like a documentary that is about giving the subjects agency in how their story is told, then Flathead is not for you.
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