

This Canadian feature by Ally Pankiw is funny, moving, and a great vehicle for Rachel Sennott’s particular style of flinty, self deprecating comedy.
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This Canadian feature by Ally Pankiw is funny, moving, and a great vehicle for Rachel Sennott’s particular style of flinty, self deprecating comedy.
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I was intrigued to see Alice Englert’s first feature, particularly as it’s stars Jennifer Connelly and Ben Whishaw and, hopefully, the New Zealand people and landscape.
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Sometimes you want a horror experience that’s visceral and uncomplicated and the debut feature by South Australian directors Indianna Bell and Josiah Allen gives that in spades.
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What starts as a talking heads documentary about North Korean defectors becomes a gripping race to safety as we follow a family who have crossed the border into a hostile China.
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This is one of the most heartfelt and inventive documentaries I ever remember seeing.
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Maite Alberdi allows us to travel back-and-forth through the life of writer Augusto Góngora. Part of the documentation and reconciliation after Chile’s fascist junta, his own memories are now scattering with Alzheimer’s.
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An enigmatic sci-fi-adjacent Moroccan mystical mood piece – which is a term, I never thought I would use.
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