Director Paige Bethmann gives us the gentle story of Ku Stephens, a young runner from the Pailute people in Nevada.
Continue readingRemaining Native (2025)
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The Mastermind (2025)
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I really love Kelly Reichardt films. Even the ones that don’t seem to be about anything, like Showing Up (2022), somehow draw me in with the beauty of moments and the delicate journey of quite ordinary characters.
Continue readingHouse of Hummingbird (Beol-sae) (2018)
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Poison (2024)
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It’s hard to know what to say about this worthy, well acted, very downbeat drama, directed by Luxembourger Désirée Nosbusch.
Continue readingLee (2023)
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Do I have any right to be disappointed that the story of Lee Miller is book ended by her role and failures as a mother?
Continue readingSaltburn (2023)
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Emerald Fennell gives us Brideshead Revisited and The Talented Mr. Ripley dragged screaming into a fantastical modern world where desire perverts everything.
Continue readingThe Royal Hotel (2023)
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Director Kitty Green has some worthy documentary subjects under her belt and it’s no surprise that the excellent Hotel Coolgardie (2016) inspired her in this outback noir fictionalisation.
Continue readingVerdigris (2023)
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This is a lovely story about friendships that can form across class divides and provide safety and salvation for women experiencing coercive control.
Continue readingStolen (2023)
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This deeply affecting Irish documentary delves into the history of the institutionalisation of pregnant women from the 1920s to the 90s by various Irish institutions including the Mother and Baby Homes and Magdalene Laundries.
Continue readingLove Lies Bleeding (2024)
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Refreshingly unpredictable and the kind of film that would usually have been about blokes, not daughters and body building lovers.
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