I love this sort of tense realist drama. This is directed by Laura Wandel and produced by the Daedenne Brothers and you can feel their touch in the understated character driven narrative.
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I think this one is going to be polarising. Judging by the impassioned conversations I had with fellow MIFF goers after the film, I can see there are many different takes on its confronting structure and content.
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Not about a woman called Dispeller but about a legitimate practice in China where wives, who find out their husbands are cheating on them, employee someone to dispel the mistress – a mistress dispeller.
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Slovenian director Urska Djukic gives us a convincing meditation on emerging teenage identity and sexuality in a repressive Catholic culture.
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I keep forgetting one of the joys of MIFF is seeing an Antipodean documentary about a person, having them there at the screening and finding out they’re a really decent person. The MIFF trifecta.
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Really I shouldn’t be surprised that a film that is about a woman who wants to be a chair ends up being an absurd and surrealist set piece.
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Oh the sweet nostalgia of the 90s! The toxic world of commercial photography, particularly if you’re a woman, and the chic of heroin-fuelled nights.
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Fatima (Nadia Melliti) is an Algerian teen living in France. She loves football, hangs out with her bros at school, and spars with her older sisters as they tease her for not knowing how to cook or dress in a way that men like.
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