A ad for an anniversary screening of Wim Wenders’ Paris Texas played before the session of his latest film Perfect Days. I lived in London for a few years in my early 20s and it’s where I discovered non-mainstream films. I would go to art house cinemas, particularly one in Soho, and watch films on my own. This is where I discovered films like Paris Texas, Diva, Betty Blue, Down by Law, I’ve Heard the Mermaids Singing and The Kiss of the Spiderwoman. I fell in love with cinema.
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The ‘zone of interest’ was the Nazi party term for the 40 square kilometre area around Auschwitz and also the name of Martin Amis’s novel, a very different version of a glimpse into the life and home of Rudolf Höss.
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You would think that a three hour film called Dying would be depressing or perhaps overwhelmingly emotional or sentimental. Director Matthias Glasner delivers an absorbing story of a family, told in chapters about each person, and laces it through with humour and an almost dispassionate emotion.
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I am in love with Peaches! I don’t know how I have missed out on this phenomenal woman.
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Dark Mofo is a space for oddities and the screening in the Hobart Town Hall of this 1920 silent, German horror with live music score by electronic artist Lucrecia Dalt is a good place to start.
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The credentials of Florian Henckel von Donnersmarck (The Lives of Others (2006)) were enough to get me to this 189 minute German epic at its first session. Fortified with a strong coffee and a stash of dark chocolate and mandarins, I felt confident that I could stay the course.
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If you are looking for a film that relentlessly depicts the awful hopelessness of war, Edward Berger’s re-adaptation of Erich Remarque’s novel is the one to watch.
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There was something deeply compelling about this rigorous and austere look at identity and trauma by Hungarian director Kornél Mundruczó.
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This is one of those dense, evocative films that will sweep you up whilst also leaving you not sure of what you’ve just seen.
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A well-dressed couple and their child trek through a forest and enter a compound where a white tower block rises amidst verdant lawns and a manicured golf course. They are desperate for their residence application to be accepted in this dystopian world where everything outside the fence is, seemingly, dangerous.
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