

Refreshingly unpredictable and the kind of film that would usually have been about blokes, not daughters and body building lovers.
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Refreshingly unpredictable and the kind of film that would usually have been about blokes, not daughters and body building lovers.
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I’m not sure what I was expecting out of Julio Torres’s sweet and quirky almost fairytale about speaking up for yourself. Something easy to watch. I wasn’t expecting to find it so poignant.
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I needed to see a film like this that would fill up my cup after a MIFF that seems heavy on melancholy.
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There is nothing really to criticise about the quality of this film. It is a delicate and tender portrait of a lesbian couple in Hong Kong, made tragic by the death of one that then cuts the other adrift with no rights in a heterosexual and patriarchal society.
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I really didn’t enjoy this film. It felt like a drama camp improv piece with funding. Having spoken to a queer friend afterward though, they have given me lots of links to articles on how it is a trans metaphor and groundbreaking in a lot of ways.
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Like Crossing, Toll looks at queerness through the eyes of the non-queer family members who alienate and marginalise them.
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Juliana Rojas likes to blend contemporary Brazilian social critique with the surreal and supernatural, as evidenced by her queer werewolf musical (Good Manners (2018)).
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I am in love with Peaches! I don’t know how I have missed out on this phenomenal woman.
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