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I’m used to Michael Haneke dramas dealing a devastating blow as the credits roll (The White Ribbon, The Piano Teacher) so I was unprepared for the droll humour and light hand of this study of a wealthy French family struggling to let go of the past. Continue reading
Although, in the telling, this pivotal 1988 movie about rural rape culture seems extreme, it unfortunately has not lost its resonance today. Continue reading
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This French drama, touted as being one of the most divisive films of MIFF 2017, was absorbing but ultimately lacked the punch I expected. Continue reading
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Tense and harrowing, Insyriated immerses you in a Damascus apartment under siege from bombing, snipers and personal violence. Continue reading
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More akin to Dogtooth than The Lobster, The Killing of a Sacred Deer takes time to show its hand but when it does, it slowly and surely builds to a devastating conclusion. Continue reading
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A cinematic meditation and lyrical farewell from the Iranian director Abbas Kiarostami that calmed my mind, reduced my heart rate and brought me to tears. Continue reading
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This oddball Polish genre non-conformist feature by Agnieszka Holland had lots to like about it but ultimately felt like less than the sum of its parts. Continue reading
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This clever and stylish black-and-white satire from Sally Potter plays out like a drawing-room comedy with on point performances from the cream of British actors. Continue reading
Alex (Elena Mandalis) is now one of my favourite characters ever. She’s the kind of tough girl I would have been scared of at school. Greek, working class and a misfit, her only choice is to push back. Continue reading
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This is masterful storytelling by Mexican writer-director Michel Franco, showing the insidious damage an oppressive relationship can create. Continue reading
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