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Tag Archives: miff25

Yurlu | Country (2025)

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This is a beautifully made film about an important story.

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October 10, 2025 Leave a comment

Têtes Brûlées (2025)

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Oh boy, this wasn’t at all what I was expecting. I nearly skipped out of it because it was on at 10:15am on the 14th day of the festival and I really could’ve used a sleep in.

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October 8, 2025 Leave a comment

Cloud (2024)

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By the 14th or so day of a film festival after four films a day, it gets to a point where you are hoping your 9.30pm film will have a little bit of pace and drama and action to keep you awake.

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October 7, 2025 Leave a comment

1000 Women in Horror (2025)

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Well, it’s a no brainer that I would love this. Bring together horror films and women kicking ass and Australian film critic, writer and legend Alex Heller-Nicholas and you’ve got a winner.

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October 6, 2025 Leave a comment

The Mysterious Gaze of the Flamingo (La Misteriosa Mirada del Flamenco) (2025)

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I was sad I could not stay for the Q&A as the introduction by the director, Diego Céspedes, and one of the stars, Sirena Matilde, was heartfelt and drew attention to the film as a story about the beauty of trans and queer families.

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October 5, 2025 Leave a comment

The President’s Cake (مملكة القصب)(2025)

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Wow this one is really a slow burn, and not at all the lighthearted, child focused story that I was expecting.

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October 4, 2025 Leave a comment

The Things You Kill (2025)

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This is a tricksy, slightly surreal drama that may have had more impact on me if it wasn’t 9:30 pm and the fourth film of my day.

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October 3, 2025 Leave a comment

Cutting Through Rocks (2025)

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This is one of those deeply upsetting documentaries where you are watching the viciousness and callousness when patriarchy is challenged play out in a rural Iranian village.

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October 2, 2025 Leave a comment

It Was Just an Accident (یک تصادف ساده)(2025)

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Or a simple accident, as the title seems to more accurately translate.

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October 1, 2025 Leave a comment

April (აპრილი)(2024)

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This was one of my most interesting MIFF experiences this year. It had the hallmarks of the kind of film I like – Georgian (Scary Mother and My Happy Family are two Georgian films I loved), about feminist issues (access to abortion for low-income women) and reviews called it “tense, ominous, and viscerally captivating.”

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September 30, 2025 Leave a comment

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