Broker (브로커) (2022)

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Image via miff.com.au

This latest film from Japanese director Hirokazu Koreeda is masterful storytelling. I came out of the screening with a similar feeling to when I watched Bong Joon-ho’s Parasite (2019); contemporary South Korea where the dramatic tension comes from depth of character not plot.

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Burning (버닝) (2018)

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Image via miff.com.au

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My daughter is teaching herself Korean and before I left for MIFF, she taught me how to say, “I’m tired. However, I want to watch a movie” in Korean. I thought of her when I saw Burning in the sumptuous Versailles that is the Regent Theatre. Continue reading →