

Emily the Criminal is a solid thriller that is elevated by two excellent lead performances.
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Emily the Criminal is a solid thriller that is elevated by two excellent lead performances.
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There is something inevitable about the trajectory of Ali’s life in Lofty Nathan’s sunbleached drama of hopelessness that foreshadows the start of the Jasmine Revolution in Tunisia in 2011.
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It’s worth lauding this film simply because of its collaborative creation with Hollywood heavyweight Riley Keough adding weight to what is essentially an authentic indigenous story.
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I have been waiting for the release of this one for many months. The trailer is a cracker with a drunk Cassie (Carey Mulligan) being picked up a series of ‘nice guys’ who then sexually assault her in her comatose state.
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Christmas movies ideally should give us love and hope and not drown us in corn syrup. This queer Christmas rom-com has just enough tartness to balance the sugar.
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From it’s whimsical name to it’s awkwardly stylish mise en scène, Licorice Pizza should feel like a sweet and poignant dip into growing up in the 70s. Then why does it feel so creepy?
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Robert Eggars (The Lighthouse (2019), The Witch (2015)) gives us toxic masculinity writ large without a shred of irony or insight.
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First-time feature documentary director Kier-La Janisse gives us a fascinating deep dive into the world of ‘folk horror’ films and what they say about fear, colonialism and the ‘other’.
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Messy, arty and wry, this mockumentary by Bill Benz weaves the true-life friendship of Carrie Brownstein and Annie Clark, stage-name St. Vincent, with a rumination on fame, identity and artifice.
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Beginning as a familiar story of a rebellious teenager pushing against the confines of her family, Joyce Chopra takes us down a dark path that perfectly captures the strength and vulnerability of a young woman.
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