
A nostalgic look at Y2K hysteria from the safety of the future.
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Celine Song’s debut feature is a quiet and lyrical ode to inyeon, the Korean term for “the miracle of being in the same room together at the same time.”
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I want to say nice things about Andrew Durham’s Fairyland because it gives us an overview of queer culture in San Francisco in the 70s to 90s, a pivotal time.
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I loved Babak Jalali’s Radio Dreams (2016), and he doesn’t disappoint with the tonally very different but just as meticulous Fremont.
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A guaranteed strategy to stay awake through your third film of the day, is to make sure it’s a horror.
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That an IMDb user gave this one star and called it “an LGBTQ+ movie disguised as a sci-fi” makes me like it even more.
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What might you say if you came face to face with the parents of the child who killed your child?
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This very confident directing debut from writer Stephen Karam has star power that will pull many an unsuspecting viewer into an inexorably bleak story.
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This is just the kind of documentary you want to watch. It’s got intrigue, a charismatic protagonist and it captures real-life drama unfolding on camera.
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