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Tense and harrowing, Insyriated immerses you in a Damascus apartment under siege from bombing, snipers and personal violence. Continue reading
Insyriated (2017)
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The Killing of a Sacred Deer (2017)
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More akin to Dogtooth than The Lobster, The Killing of a Sacred Deer takes time to show its hand but when it does, it slowly and surely builds to a devastating conclusion. Continue reading
Spoor (Pokot) (2017)
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This oddball Polish genre non-conformist feature by Agnieszka Holland had lots to like about it but ultimately felt like less than the sum of its parts. Continue reading
The Party (2017)
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This clever and stylish black-and-white satire from Sally Potter plays out like a drawing-room comedy with on point performances from the cream of British actors. Continue reading
Only the Brave (1994)
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Alex (Elena Mandalis) is now one of my favourite characters ever. She’s the kind of tough girl I would have been scared of at school. Greek, working class and a misfit, her only choice is to push back. Continue reading
April’s Daughter (Las Hijas de Abril) (2017)
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This is masterful storytelling by Mexican writer-director Michel Franco, showing the insidious damage an oppressive relationship can create. Continue reading
The Teacher (2016)
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Beautifully crafted, with an authentic 80s Communist aesthetic, The Teacher is a lesson in the power of the collective. Continue reading
Los Perros (2017)
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Dogs are a repeated and, I suspect, metaphorical motif in this Chilean drama by Marcela Said about the complicity of the middle-class in avoiding accountability for the atrocities committed under Pinochet. #MIFF2017 Continue reading
A Man of Integrity (2017)
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Integrity doesn’t get you far in modern day Iran. Mohammed Rasoulof gives us a slow burn commentary on his country through the eyes of one man. #MIFF2017
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Faces Places (Visages, Villages) (2017)
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This whimsical and warm-hearted documentary tracks an inspired partnership, road trip and friendship between street artist JR and French New Wave cinema director Agnès Varda. #MIFF2017 Continue reading
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