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Like an episode of Midsomer Murders but painted, this misguided commodification of the art of Vincent Van Gogh is devoid of any real exploration of the artist or his art. Proudly stating upfront that each frame has been hand painted, the gimmick is at first intriguing but soon becomes a distraction. It can’t hide the insubstantial plot, dodgy accents and lack of drama. Continue reading
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It was the topic that drew me to this documentary. Natsuki grew up in Japan, assigned a boy at birth but always feeling like a girl. As an adult, she narrates her early life at school and the challenges of admitting, and being accepted for, who she really is. Interspersed with reenacted drama, this is an engaging story that teaches us about gender identity and expression in Japan, and leaves us pondering about gender roles in relationships. Continue reading
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It was a feelgood Sunday for me at the Japanese Film Festival with two charmers – My Uncle and this animation that also showed at MIFF this year. Aimed at kids, it is a two-layered story about Kokone (voiced by Mitsuki Takahata), whose father Momo (Yôsuke Eguchi) repairs cars, and Princess Ancien, whose magic tablet allows her to give life to objects in the beleaguered kingdom of Heartland. Continue reading
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I was completely charmed by this family comedy at the Japanese Film Festival. Yukio (Riku Ohnishi) must write an essay for a school contest about an adult in his family. His parents are too unexceptional so he chooses his infantile loafer of an uncle (Ryûhei Matsuda). Continue reading
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I’ll go out on a limb and say the best way to make a film about women is to have one direct it. The fact that the title and trailer of this film focused on William Moulton Marston, the creator of Wonder Woman and co-inventor of the lie detector, led me to suspect that this might be another hagiography of a bloke who supported women’s rights. Happily it is definitely not. It is a sexy tale that places the women firmly in the centre and has given me a new appreciation of Wonder Woman. Continue reading
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A slow burn of a film, A Double Life at first seems to be about the vagaries of a young girl, trying to find meaning in her life. Inspired by the work of French artist Sophie Calle, True Stories, it becomes instead a thoughtful and moving exploration of privacy, connection and compromise. Continue reading
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My first Japanese Film Festival outing for this year, I stepped in to a multi-coloured tangled web of a tale about disaffected youth in rural Japan. Ai (a radiant Sairi Itô) is rejected by her mother and shipped off to a religious commune. Finding a sense of belonging there as Ananda, her peaceful world is upended when cult leader Levi (Matthew Chozick) is arrested. Continue reading
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Can Taika Waititi please direct every Marvel/DC film? Then I might be tempted to watch them. Not my favourite genre, New Zealand director Waititi (Hunt for the Wilderpeople, What We Do in the Shadows, Boy) for the most part refuses to take his job too seriously and peppers the script with largely improvised and genuinely funny dialogue. Continue reading
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The way to make a sequel, and big budget movie, is to give the directing job to a non-American it seems. French-Canadian, Denis Villeneuve, who directed the superb Arrival and Incendies, takes a fair stab at this one and manages to equal the original in mood, visual impact, leisurely pace and partially clothed women. Continue reading
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A fitting film to review during White Ribbon Week, Hotel Coolgardie is a low budget but beautifully realised documentary about the brutal and misogynistic culture that proudly exists in outback Australian mining towns. Continue reading
