I chose another 11.30pm horror movie just because I could. By Australian director Sean Byrne, this is his second feature, the success of the first giving him the leverage to set this film in Texas. Part serial killer, part demonic possession horror type, it didn’t scare me as much as take me for an enjoyable and occasionally exhilarating ride. Continue reading
1970s horror is pretty stupid. I should have realised this but, you know, it’s good to give things a go. Apparently Phantasm is a classic of 70s horror, inspiring many films and directors, including George Lucas. It is set in a small US town where brothers Mike and Tommy occasionally talk to each other. Mike attends the funeral of a friend who was killed by a bare breasted blonde in high heels in a cemetery and at the funeral home, Tommy sees strange things. Continue reading
One of the great things about MIFF is that you get to see older films that you can’t easily access. I don’t book many of these as there are so many new films to see but I liked the sound of this 1978 one by director Claudia Weill. It’s a simple story about two room mates, Susan and Annie, whose friendship is tested when Annie moves out and gets married. Continue reading
Seeing three films in a row is hard, particularly when they are 4pm, 6.30pm and 9pm sessions with only enough time in between to power walk to the next venue. Knowing that the Graduation was a 2-hour Romanian social realist drama, I didn’t have a lot of confidence that I would make it through to the end. I found myself, though, absorbed and swept up in a story about Romania and parenting and regret and acceptance. Continue reading
A lovely film, beautifully told, this triptych of stories directed by Kelly Reichardt (Meek’s Cutoff) immerses us in the lives of three women, played by Laura Dern, Michelle Williams and a luminous Lily Gladstone (above). Each of the three stories has a small interconnection with the others but stands alone as a meditation on loneliness and the sad reality of our inability sometimes to help others. Continue reading
Gosh this movie sounded good. The synopsis used words like ‘breathtaking’, ‘existential odyssey’, ‘abstract allegory’ and ‘a political version of a Beckett play.’ It really wasn’t any of those things though it has an interesting topic and some nice moments. It is a film in two distinct parts: we see Nero, a teen of Mexican origin who grew up in LA but was deported with his parents, trying to cross the border back to the US. In LA he meets up with his brother but not before being picked up by the police for looking too Mexican in a wealthy area of Beverley Hills. Nero’s plan is to be a ‘Greencard soldier’ where he can join the US military in exchange for a Greencard. Continue reading
Okay, maybe not all VR is brilliant. This overly complicated and clunky 20-minute ‘pilot episode’ of a private eye noir-esque story left me unsatisfied. Our group was worded up beforehand that there would be clues to observe, a puzzle to solve and moments where we must make a choice between two elements of the story. I was a bit worried that I would miss things and maybe I did because it didn’t really make much sense to me. Continue reading
Directed by Jim Jarmusch and starring the seemingly ubiquitous Adam Driver, I was expecting something interesting but mainstream from Paterson. That’s not quite what this film is. On the surface it is an uneventful study of the routine of a single, ordinary life, with some humour provided by a dog. Underneath, it is a meditation on the difficulty of reengaging and finding meaning in life after military service, or perhaps any trauma. Continue reading
This film was likened to Wonderful World End (MIFF 2015), a surprisingly poignant Japanese exploration of identity in contemporary Japan, and I can see it has some similarities. Our Huff and Puff Journey follows four school girls, obsessed with pop band Creep, who set off on their push bikes to get to their concert in Tokyo. Full of obsessive enthusiasm, they don’t seem daunted by the 1000km journey from Fukuoka and only vaguely aware of the repercussions once their parents find out and they have to come home. Continue reading
The French title of this lovely family film is Jamais Contente, which I think translates as ‘never satisfied’ and this seems an apt description of both the affliction of the central character, 13-year-old Aurore, and the attitude of the adults around her. Aurore is repeating year 7, has a younger sister who always gets good grades and an older one who seems to do what she likes. Aurore feels misunderstood by all and disenfranchised from her family. Continue reading
fillums 