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What an unexpected delight Soda Jerk’s Terror Nullius: A Political Revenge Fable in Three Acts is. It is an odd and irreverent insight into Australian film, TV, society and culture. Continue reading

Image via http://www.sodajerk.com.au

What an unexpected delight Soda Jerk’s Terror Nullius: A Political Revenge Fable in Three Acts is. It is an odd and irreverent insight into Australian film, TV, society and culture. Continue reading

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I’m so glad I caught this heartbreakingly beautiful documentary about the late Dr. G. Yunupingu at the State Cinema in Hobart on its last day of screening. The story and the man alone is enough reason to see it yet you don’t have to be a fan of his music to enjoy it. It is made all the more rewarding by its respectful narrative and exquisite sound editing and cinematography. Continue reading

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The Room is a must-see Melbourne cinematic experience. Two cinemas are packed out at 11.30pm on a Saturday night and the audience is armed with plastic spoons. Beginning with a montage of dated ‘candy bar’ ads and images of frolicking puppies and kittens, the noise from the audience reaches a crescendo until the lights go down and a Cinema Nova employee exhorts everyone, in the words of The Room director Tommy Wiseau, “You can laugh, you can cry, you can express yourself, but please don’t hurt each other.” Continue reading

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Some films knock you sideways with unexpected brilliance and Maryline, retitled for the Alliance French Film Festival as Bright Weakness, is one of those. Heartfelt, subtle and unexpected, I could not look away from Adeline D’Hermy’s mesmerising performance. Continue reading

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I have been waiting to watch this South Korean zombie film with my Korea-obsessed daughter and it did not disappoint. Now one of my favourite zombie movies (I’m a bit partial to Dawn of the Dead, Shaun of the Dead, and Warm Bodies), it had me hiding behind a cushion for most of its 118 minutes. Continue reading

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Wow! Where has this film been hiding? Thanks goodness for ACMI that keeps showing these unlooked for and unheralded gems. The advertising for this Mexican horror/drama almost put me off; “Sexual desire, social realism and the uncanny converge in this provocative genre splice.” It could’ve been a Neon Demon – and you can click on the link to see how much I loved that ‘genre-splicing, misogyny-satirising’ movie. Happily The Untamed is nothing like it and I loved its deadpan and excoriating look at heteronormative oppression, wound through with a profoundly meaningful and metaphorical motif of horror. Continue reading

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This is how revenge movie should be made. Turkish director Fatih Akin takes a story that could have been plucked from today’s news and exposes the personal cost of racism. Continue reading

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This rich tapestry of a film had a golden thread running through it of one woman’s life. It was so absorbing and finely-crafted that I forgot I was watching a film. Continue reading

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“He’s got body, he’s got soul, I’m torn apart without him…” I knew every word of every song and I was itching to get up and dance during the Pioneering Women screening of this delightful and very Australian musical. Continue reading

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Tense and harrowing, Insyriated immerses you in a Damascus apartment under siege from bombing, snipers and personal violence. Continue reading