On the surface, this is a story of a woman trying to leave an abusive marriage, but it shines a light on the insidiousness of domestic violence and its roots in patriarchy.
Continue readingShayda (2023)
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Anatomy of a Fall (Anatomie d’une Chute) (2023)
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Lesson one: don’t watch a 2 1/2 hour slow French film at 9:30 pm at night at the Comedy Theatre.
Continue readingBiosphere (2022)
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That an IMDb user gave this one star and called it “an LGBTQ+ movie disguised as a sci-fi” makes me like it even more.
Continue readingLeonor Will Never Die (Ang Pagbabalik ng Kwago) (2022)
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Leonor Will Never Die takes us on a madcap ride through Filipino 80s action movies that is so meta it is like a Möbius strip.
Continue reading1976 (2022)
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Pinochet’s Chile in 1976 is a time where any opposition to his dictatorship meant quiet disappearance and torture or murder out of the public eye.
Continue readingPlan 75 (2022)
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This is a beautiful mood piece that explores what the world might look like if the elderly were no longer valued.
Continue readingWhen Pomegranates Howl (2020)
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Granaz Moussavi has followed up her 2009 hit My Tehran for Sale with an intimate look at street kids in Kabul.
Continue readingUnder the Fig Trees (2021)
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Erige Sehiri makes her fiction and feature debut with this sun-dappled pastoral day in the lives of Tunisian workers harvesting figs.
Continue readingGive Me Pity! (2022)
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Children of the Mist (Những đứa trẻ trong sương) (2021)
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Documentaries don’t usually make me so angry I want to throw something at the screen. Vietnamese film maker Hà Lệ Diễm gives us unprecedented insight into Hmong culture and their tradition of bride kidnapping.
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