

Even though this is a very intimate story of friendship, it feels epic in scale and rich in detail, set against a glorious backdrop of Alpine mountains.
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Even though this is a very intimate story of friendship, it feels epic in scale and rich in detail, set against a glorious backdrop of Alpine mountains.
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Lucile Hadzihalilovic’s first feature-length film is an austere and ominous parable about the societal limitations imposed on young women.
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Carlota Pereda gives us a delicious revenge movie that expands the story from her 2018 short film.
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My expectations were high for this second feature from A Girl Walks Home Alone at Night director Ana Lily Amirpour.
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It’s enough that Léa Seydoux is in every frame to give reason to watch this delicate French Rohmer-esque drama from Mia Hansen-Løve.
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Where Leila’s Brothers was all shouting and drama in its portrayal of a dysfunctional family, Kim Se-in shows us the quiet bitterness of an intense mother-daughter relationship.
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Archibald prize winning Australian artist Del Kathryn Barton has imbued her lush visuals into her first feature film about violence against women and childhood trauma.
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This animation from Czech director Michaela Pavlátová has an interesting premise; a blonde and blue-eyed Czech woman marries an Aghan and goes to live with his family in Kabul as the Taliban increase their dominance.
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I won’t be the first to say that this warm, spiky coming of age road movie is sweet as.
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I walked into this film thinking I knew what kind of experience it was going to be. It’s a documentary by Sue Thomson about the growing number of women aged over 55 in Australia who are finding themselves unexpectedly homeless.
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