Image via collisionsvr.com
Virtual Reality is cool. Not technically great yet but it is impossible not to be personally and emotionally engaged with a genuine story when you are suddenly within arm’s reach of the story teller. Collisions is a small and resounding tale, a conversation with Nyarri Nyarri Morgan, a Martu man director Lynette Wallworth met in the Pilbara. Continue reading
A missed MIFF film, thanks be to ACMI for screening some MIFF gems well before they might get a Nova season (or not). Heart of a Dog is Laurie Anderson’s rumination on death, wrapped loosely around stories of her dog Lolabelle. It is spoken word and a moving montage of illustrations, painterly home movies and text, seeming to skitter from one thought to another. Continue reading
MIFF announced some surprise screenings on the last day. These are films that weren’t part of the festival program and were a mixture of classics – Abbas Kiarostami’s A Taste of Cherry to mark his passing last month – and new films like this New Zealand drama that had just premiered at the NZ Film Festival and been chosen for the New York Film Festival. It’s based on a book by Eleanor Catton, author of the much better know The Luminaries so it has some credentials. Overall it was a pleasant experience though I was left wondering what the film was really about. Continue reading
I nearly didn’t see this film. Thank you to MIFF buddy Alex #2 who encouraged me to book this encore screening after I had ditched an earlier screening in exchange for a bit of sleep. I loved it. Laugh out loud loved it. Now I want to see more of Maren Ade’s films. This film revolves around Winfried and his adult daughter Ines. Through steady and wry observation, we see the dynamics between them, the effect of a separation and what their early years together might have been like. They seem very different now; he always finding humour in the everyday, she trying so hard to be a competent adult. Continue reading
One of the great things about MIFF is that you get to see older films that you can’t easily access. I don’t book many of these as there are so many new films to see but I liked the sound of this 1978 one by director Claudia Weill. It’s a simple story about two room mates, Susan and Annie, whose friendship is tested when Annie moves out and gets married. Continue reading
A lovely film, beautifully told, this triptych of stories directed by Kelly Reichardt (Meek’s Cutoff) immerses us in the lives of three women, played by Laura Dern, Michelle Williams and a luminous Lily Gladstone (above). Each of the three stories has a small interconnection with the others but stands alone as a meditation on loneliness and the sad reality of our inability sometimes to help others. Continue reading
The French title of this lovely family film is Jamais Contente, which I think translates as ‘never satisfied’ and this seems an apt description of both the affliction of the central character, 13-year-old Aurore, and the attitude of the adults around her. Aurore is repeating year 7, has a younger sister who always gets good grades and an older one who seems to do what she likes. Aurore feels misunderstood by all and disenfranchised from her family. Continue reading
This US documentary delves into the experiences of several teenage girls who were sexually assaulted by school friends while unconscious and the repercussions for them, their families and the perpetrators. It highlights a ‘rape culture’ in the US that shifts blame from male perpetrators to the victims. If you have teenage sons, I recommend you watch this film with them. Continue reading
I wanted to really like this movie. It’s Australian, it has a young cast, it’s quirky and has a great sense of style. It’s set beautifully in the 70s; the fashions and decor making me want to go out there and redecorate. It starts off with an oddball lightness and a great sense of colour and framing but then veers into darker territory and seems to lose its way. I was left unsure as to which demographic the film is aimed at and how authentically it explores the anxieties of contemporary teens. Continue reading
At last, a five star film. I had hopes for Chevalier as it is co-written by Efthymis Filippou, the co-writer of The Lobster and Dogtooth, two brilliant films by Greek director Yorgos Lanthimos. And you know how much I loved The Lobster. Set on a luxury yacht off a nameless Greek Island, six men, with various connections with each other, dive, fish and share food, wine and stories. Slowly at first and then with greater intensity, they begin to compete for the prize of the “best man in general.” Continue reading
fillums 