Some films are built for entertainment rather than deep thought and The Lure is one of them. Described as a “loony genre mash-up of musical, romance and 80s-style horror”, this messy, delightful Polish film about two mermaids who emerge from the deeps to discover adventure in a strip club is a fun and occasionally gory ride. Continue reading
Tag Archives: female directors
Don’t Call Me Son (2016)
Standard
Lovely, lovely. This Brazilian film reminded me a little of Sebastian Silva’s work (The Maid MIFF 2015). Pierre and his sister Jacqueline live with their mother, Aracy. Pierre plays in a band and behind closed doors puts on lipstick and dresses, finding connection with girls and boys alike. But then the police arrive and it seems his mother is not his mother, he was stolen as a baby and now must forge a new life with a new family. Continue reading
A Flickering Truth (2015)
Standard
I bailed on this one. I gave it a good 45 minutes. It’s a documentary about the Afghan Film Archive that was funded in the 60s by the US and almost completely destroyed by the Taliban. The film focuses on three people who have played their part in saving as many films as they can. Continue reading
The Nightingale and the Rose (2015)
Standard
Not a MIFF film. I took a detour at ACMI this morning as I waited for my first film session of the day and watched Del Kathryn Barton’s sumptuous animation of Oscar Wilde’s short story, The Nightingale and the Rose. Continue reading
What’s in the Darkness (Hei chu you shen me) (2015)
Standard
I took the advice of my husband this morning and ditched the Romanian drama Sieranevada. His advice was to make sure I enjoyed my MIFF experience and to not make it hard work. My MIFF buddy Alex pointed out that Sieranevada is nearly three hours long and I just didn’t feel like it. Instead, I booked this Chinese drama, What’s in the Darkness, that reads like a Nancy Drew set in rural China. It isn’t. Strangely, it is not so different from last night’s The Demons. Continue reading
Madly (2016)
Standard
Madly is six short films, each by a different director and based in a different country. They all explore some aspect of love and are stylistically and emotionally diverse. It’s hard to choose a single rating for six such different films and I struggle with the episodic nature of anthologies of short films; no sooner have you engaged with the story than you have to leave. They are all interesting, the first three – from India, Australia and the US (though directed by a Chilean Sebastián Silva) – are my favourites. Continue reading
Ma (2015)
Standard
I knew this film was going to be different. The story of the Virgin Mary, without dialogue, as a choreographic piece and framed as a southern US road movie. And different it was. Writer, director, choreographer and star, Celia Rowlson-Hall attended a Q&A afterward which helped me understand this surreal, movement-based story. Though I’m still not sure why the members of the Village People were carrying motel room furniture across the desert. Continue reading
Evolution (2015)
Standard
This is one of the most beautiful films I have ever seen. Its colour palette, location and aesthetic are exquisite. It is also enigmatic, to the point of being unsatisfying. We see a small, austere, island community of women and boys. The women are pale eyebrowed, dressed in colours of skin and earth. The boys are prepubescent, unsmiling. They live in bare, white houses amongst black sand, rock and crashing waves. There is little dialogue and no context for this odd world. Continue reading
Sonita (2015)
Standard
I couldn’t pass up this Iranian documentary about a young Afghan girl in Tehran, battling her family’s conservative plans to achieve her dream of being a rapper. In many ways it is like As I Open My Eyes made real. Sonita Alizadeh, like Farah in that movie, is young and idealistic, channeling her anger at the injustice she sees all around her into her song lyrics. For her it is the limitations placed on her as a young woman, destined to be married off by her Afghani family for a bride price, like so many other teenagers, and forbidden from performing. Continue reading
As I Open My Eyes (À peine j’ouvre les yeux) (2015)
Standard
Farah is a young idealist, a singer fresh out of secondary school and living in Tunis with her mother while her father works away. Farah’s band sing songs of protest about the inequities and corruption of their country, songs that begin to be noticed by the authorities. The music is beautiful – a mix of contemporary and traditional, the lyrics like poetry, Farah’s keening voice a heartbreak. Slowly, we become aware of the world outside Farah’s relatively privileged, sheltered upbringing and her guilelessness begins to affect those around her. Continue reading
fillums 