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This arthouse Todd Haynes adaptation of Brian Selznick’s graphic and text novel looks lovely but lacks the pace and complexity to keep its readership engaged. Continue reading

Image via miff.com.au

This arthouse Todd Haynes adaptation of Brian Selznick’s graphic and text novel looks lovely but lacks the pace and complexity to keep its readership engaged. Continue reading

Image via miff.com.au

This heart wrenching look at the dark reality of racism that simmers below the glib, Australian-flag-face-painted surface of our country shows its devastating effects, particularly for women of colour. #MIFF2017 Continue reading

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This oddball, feel-good feature unrolls like an 8mm Precious with Australian actor Danielle Macdonald as its shining heart. Continue reading


Ninety minutes was enough time with the prickly, belligerent Daphne but I couldn’t help but wish her well. #MIFF2017 Continue reading

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Watching The Void, when tentacles started to come out of a dead woman’s face, I knew it was time for me to leave. #MIFF2017 Continue reading
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That's Not Me, a sweet and funny Melbourne feature about fame and sibling rivalry was buoyed by a cinema full of cast, crew, friends and family. #MIFF2017 Continue reading

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Tomorrow I will be heading to Melbourne for a 17 day film extravaganza. The Melbourne International Film Festival (or MIFF to close and personal friends) is my annual sabbatical of film. I have booked 61 films, from revisits of Starstruck and Shame to new films by Lanthimos, Potter and Denis. My aim is to see and review three films a day so hold on to your wigs and live the MIFF life with me. Continue reading

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Those who know me will know that I spend two weeks each year at the Melbourne International Film Festival watching and reviewing three or four films a day. It starts in five weeks and in only eleven days the program will be released. Yesterday I got a sneak preview of 33 films from Cannes that will be on the program and I am so excited! Continue reading