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I resisted seeing this Best Picture Oscar nominee because it is a war film (not my favourite genre) and promos had made it seem a bit epic and action-heavy rather than introspective. Boy was I wrong. Continue reading
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Don’t forget the full stop. Emma is my least favourite of Jane Austen’s novels (other than the superlative adaptation Clueless (1995). This remake by Autumn de Wilde is nicely staged with beautiful sets, clothes and a humorous thread of caricature and it mostly surmounts the biggest challenge of the story – that the eponymous character is not very likeable. Continue reading
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My comfort food is mashed potato and gravy, which is not a bad analogy for (Full Monty (1997)) Peter Cattaneo’s choir-based feel-good movie. It’s warm and predictable with just enough flavour to keep it interesting. The beats are predictable, the ending assured, the tissues needed, but the performances of leads Sharon Horgan and Kristin Scott Thomas elevate it to something more. Continue reading
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Having just watched Phoebe Waller-Bridge’s Crashing (2016) (available on Netflix), I am now a big fan of her vulnerable, heartfelt comedy. The two seasons of her TV show Fleabag (2016-17) are on my to-watch-list, delayed only by the need to purchase them. It seemed apt to see the one person show that began Fleabag’s story and thank goodness for Cinema Nova for screening National Theatre live versions of hit shows, including this one. Continue reading
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Austrian directors Severin Fiala and Veronika Franz have crafted a frosty and compelling suspense with horror overtones. It surpasses Hereditary (2018) with its eery themes of rural isolation and family dysfunction. Continue reading
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This was not at all what I expected. My tendency is to skim over a synopsis if there are some key trigger words – in this case Tilda Swinton and Richard Ayoade. I think I was expecting something akin to the polished drawing-room drama of Sally Potter’s The Party (2017). It couldn’t have been more different. Continue reading
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Written by Julian Fellowes (Downton Abbey) and starring our favourite Countess, Elizabeth McGovern, this gentle bio pic of female friendship and emancipation delivers what it promises. Continue reading
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Bill Nighy. Scrabble. Frank Cottrell Boyce. A winning combination as far as I’m concerned and Sometimes Always Never has the stylistically quirkiness of a Wes Anderson film but with depth and a gentle warmth. Continue reading
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A Christmas-themed zombie musical set in a British high school? I couldn’t buy my ticket fast enough and John McPhail’s endearing comedy, packed with just the right amount of gore and catchy tunes, didn’t disappoint. Continue reading
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There is something to be said for a film that left me wanting to go home and make clothes. Ian Bonhôte and Peter Ettedgui’s documentary about fashion enfant terrible Lee (Alexander) McQueen is equal parts inspiring and devastating. Continue reading
