
Image via miff.com.au

I have no idea what this film is about. If there were signs of a meaning, I missed them and felt confounded as the credits rolled. Continue reading

Image via miff.com.au

I have no idea what this film is about. If there were signs of a meaning, I missed them and felt confounded as the credits rolled. Continue reading

Image via http://www.wmagazine.com

With horror, you often buy a ticket for the ride, not the destination. With Hereditary, director Ari Aster cranks up the suspense, ensuring the convoluted plot can’t be properly deciphered until the helpfully explanatory final scene. This is really what you expect in a film of this ilk but I often feel a sense of disappointment when the climax doesn’t live up to the drama and thrills of the journey. Continue reading

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The Endless fulfilled the promise of its name and felt never-ending. Listed as a horror, it is more a muddled sci-fi, low on suspense and high on exposition. Continue reading

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I have been waiting to watch this South Korean zombie film with my Korea-obsessed daughter and it did not disappoint. Now one of my favourite zombie movies (I’m a bit partial to Dawn of the Dead, Shaun of the Dead, and Warm Bodies), it had me hiding behind a cushion for most of its 118 minutes. Continue reading

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Wow! Where has this film been hiding? Thanks goodness for ACMI that keeps showing these unlooked for and unheralded gems. The advertising for this Mexican horror/drama almost put me off; “Sexual desire, social realism and the uncanny converge in this provocative genre splice.” It could’ve been a Neon Demon – and you can click on the link to see how much I loved that ‘genre-splicing, misogyny-satirising’ movie. Happily The Untamed is nothing like it and I loved its deadpan and excoriating look at heteronormative oppression, wound through with a profoundly meaningful and metaphorical motif of horror. Continue reading

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Watching The Void, when tentacles started to come out of a dead woman’s face, I knew it was time for me to leave. #MIFF2017 Continue reading

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Touted as a horror, this is really a suspenseful thriller that keeps you guessing right up until the satisfyingly violent ending. Chris (Daniel Kaluuya) is getting ready to visit the parents of his new girlfriend Rose (Allison Williams) for the first time. Dean (Bradley Whitford) and Missy (Catherine Keener), Rose assures him, will be totally cool that he is black as her Dad ‘would have voted for Obama for a third term if he could’ and they are ‘definitely not racist’. Continue reading

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Who makes the best action hero, Lara Croft (Angelina Jolie) in Lara Croft: Tomb Raider (2001) or Alice (Mila Jovovich) in Resident Evil (2002)? Made a year apart and both based on female protagonists in popular video games, this week we watched both for some vicarious bad-ass women thrills. Continue reading

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“It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.” And so begins Pride and Prejudice and Zombies. I had low hopes for this film as it came and went at the cinema within a few weeks, never a good sign. It combines two excellent genres though – Austen and horror – and was much, much better than I’d hoped. Regardless of it’s occasional flaws in logic and pacing, Pride and Prejudice and Zombies reimagines a classic where women are socially powerless and makes them warriors. Continue reading

I chose another 11.30pm horror movie just because I could. By Australian director Sean Byrne, this is his second feature, the success of the first giving him the leverage to set this film in Texas. Part serial killer, part demonic possession horror type, it didn’t scare me as much as take me for an enjoyable and occasionally exhilarating ride. Continue reading